Personalise the site

Choose your exam board

This filters set texts and takes you to the right written-exam guidance. You can change it at any time.

โ† Back to Written Exam Hub

The Time Trap

You have 80 marks to earn in just 90 minutes. That is roughly 1 minute per mark. The most common mistake OCR students make is writing massive, beautiful paragraphs for the 3-mark questions, leaving them with no time to finish the 30-mark Live Theatre essay. Be ruthless with your time! Spend exactly 55 minutes on Section A and 35 minutes on Section B.

Section A: Set Text (50 Marks)

You will answer a series of exactly 8 questions based on a printed extract from your chosen set text (e.g., Blood Brothers, Missing Dan Nolan, Find Me). The questions scale up in difficulty.

The Short Questions 3 to 4 Marks

๐ŸŽฏ Precision & Speed

What it asks: These questions usually ask you to identify a specific acting skill (vocal or physical), state a character's motivation, or give a brief directing/design idea for a few lines.

Question strategy: Look at the wording! If it asks for two physical skills, only give two. Do not write a paragraph. Use bullet points if it helps you move faster. Structure your answer simply: Skill + Quote + Effect. (e.g., "I would use a high pitch on the line 'Stop it!' to show the character's rising panic.")

The Medium Questions 5 to 9 Marks

๐ŸŽญ Interaction & Atmosphere

What it asks: Often focuses on the interaction between two characters, or how a designer/director could create a specific atmosphere for the scene.

Question strategy: Interaction means "Action and Reaction." Do not just describe what Character A is doing; you must explain how Character B reacts to it physically. If tackling a design question, clearly justify how your choice (e.g., a cold blue wash) impacts the audience's understanding of the scene's mood.

The Extended Response 15 Marks

๐ŸŽฌ The Master Plan (Whole Extract)

What it asks: The final question (Question 8) is a broader prompt asking you to direct, act, or design the extract to communicate an overarching theme or character journey.

Question strategy: You must track the journey of the extract. Divide the extract into three sections (Beginning, Middle, End). Explain how your performance or design choices develop and change as the scene progresses towards its climax. Use advanced terminology (proxemics, levels, gel colors, gobos).

Section B: Live Theatre Review (30 Marks)

You will be given a choice of two questions (Question 9 or 10). Choose ONE. This is an evaluative essay about a live performance you have seen.

The Essay 30 Marks

โš–๏ธ Analyze and Evaluate

What it asks: To evaluate how effectively the actors, directors, or designers communicated meaning to the audience.

Question strategy: Do not retell the plot. Isolate three specific moments of the performance and evaluate what happened in each one. For each moment:
  • Describe: "The actor dropped to their knees and whispered..."
  • Analyze: "...which highlighted their sudden loss of status and vulnerability..."
  • Evaluate: "...this was highly effective as it shocked the audience, forcing us to feel pity for the character."

Privacy on school and shared computers

Using a shared device?

Shared-device mode stops Stark Drama leaving your recent-page list or project work behind after the browser session. It also resets optional analytics to off. Your exam-board choice may remain as a simple site preference.

Turning it on clears Stark Drama work already saved in this browser. Back up anything you need first.