AQA Component 1
Understanding Drama (1hr 45mins | 80 Marks)
The Open Book Trap
You can take a clean copy of your set play into the AQA exam. Use it to find a specific quotation that supports a performance or design idea; do not spend exam time re-reading scenes or copying long passages.
Section A: Theatre Roles & Terminology (4 Marks)
Four multiple-choice questions testing your basic knowledge of the theatre industry.
Questions 1 to 4 4 Marks
๐ง Basic KnowledgeWhat it asks: Identifying stage positions (e.g., Upstage Right), types of staging (e.g., Thrust, In-the-round), or professional roles (e.g., What is the responsibility of the Stage Manager?).
Section B: Study of a Set Play (44 Marks)
You will answer four questions based on a printed extract from your chosen set text. Notice how the questions "zoom out" from a single design element, to a single line, to the shaded box, and finally to the whole play.
Question 1 4 Marks
๐จ Design FocusWhat it asks: How would you design a specific element (set, costume, lighting, or sound) to reflect the context or mood of the extract?
Question 2 8 Marks
๐ญ Performer Focus (The Single Line)What it asks: This is a hyper-focused question. The exam paper will highlight a single line (or a very short moment) and ask how you would use your vocal and physical skills to perform it.
Question 3 12 Marks
๐ญ Performer Focus (The Shaded Extract)What it asks: How would you use your acting skills to demonstrate the character's changing emotions or interactions strictly within the shaded box of the printed extract?
Question 4 20 Marks
๐ฌ The Extract AND The Whole PlayWhat it asks: You must explain how you would interpret the character in the printed extract, AND link it to your interpretation of the character across the play as a whole.
Section C: Live Theatre Production (32 Marks)
You will answer one essay question evaluating a piece of live theatre you have seen.
The Essay 32 Marks
๐ Describe, Analyze, EvaluateWhat it asks: Evaluate how successfully the actors or designers created an impact on the audience during the performance.